This May started with the premiere of a new local movie, "Âme Cœur," by artist Ryan Krishna Appadoo, better known by his pen name, Daarka. Careful, however, as the movie is in French and Creole.
The film delves deep into social issues, wrapped in artistic expression. Directed by Daarka, this Mauritian cinematic gem launched on May 4. It's a distinctly Mauritian story, reflecting the nuances of local society, culture, and traditions. It touches on topics like organ donation, mental health, poverty, addiction, and the intersection of art and social engagement.
These themes showcase Daarka's dedication as a socially conscious artist. Known for his love of Creole and his presence on social media, Daarka uses his platform to blend theatre and poetry, collaborating with NGOs to drive social change through art. "Âme Cœur" represents his view of art as a catalyst for societal reflection and discussion.
Shayna and Kyaan: A study in contrasts
The film tracks Shayna (Gabrielle Rosse), a compassionate young woman raised in a South African orphanage. Adopted by Veer, a Mauritian elder, she leads a tranquil life, seizing each day with joy. In contrast, Kyaan (Guillaume Silavant), a cynical painter struggling with addiction, depends on his brother (Christophe St Lambert) for survival. Shayna's brightness contrasts sharply with Kyaan's dark outlook and gradual self-destruction. The plot twists sharply when Shayna suddenly passes away from a stroke after a performance, leaving her adoptive father to fulfill her last wish of organ donation.
An emotional and thought-provoking journey
"Âme Cœur" shines in its subtle and deep exploration of social issues, blending the dark realities of human nature with glimmers of hope and resilience, especially through Shayna's character. However, its richness in themes sometimes becomes its Achilles' heel, as it brushes over complex topics too quickly. Spanning just 70 minutes, the film often feels like it only scratches the surface, leaving audiences craving a deeper exploration. This surface-level treatment extends to the characters, who, though portrayed with genuine emotion, sometimes seem more like messengers than fully fleshed-out individuals.
Despite these critiques, the film boasts remarkable performances. The cast, including seasoned Mauritian actors and newcomers alike, brings authenticity and depth to their roles, with Christophe St Lambert delivering a standout performance as a man tormented by his brother's plight.
While occasionally veering into melodrama, the film's aesthetic—crafted by a true poet—captures Mauritius in a contemplative, almost timeless manner.
Overall, "Âme Cœur" marks an impressive debut by a director whose poetic sensitivity and commitment to social themes promise to resonate with and challenge viewers. It's a compelling invitation to experience the rich tapestry of Mauritius's art and societal issues.
